So there’s this new site called Hammer of War Online, which bills itself as “The Unofficial Source for Warhammer Online: Age of Reckoning.” Some people I know are writing for this site. I truly hope they’re getting paid, since it is an ad-supported site.

I’m not going to talk about the content of the site because people I know write for it. But let’s talk business practices. As I said, it’s an ad-supported site. And what are the ads for? “Gold Farming Secrets.”

Talk about poisoning your own well. Granted, it isn’t quite a “Buy War Gold” ad, but it’s as close as exists right now. Apparently a guide to help you become one of the people selling the War gold.

I urge you to write to the site owners and tell them how you feel, if you think selling gold farming tools on an enthusiast site is wrong. This isn’t a call to boycott the site or anything like that. I just hope that they can find better advertisers who send a more positive message.

UPDATE: I contacted Hammer of War Online with my concerns and very quickly got this response:

Pete,

Actually, they are offering secrets on how to make money for your character, not advocating the buying and selling of gold for real money. They just use the term “gold farming” to catch your eye. Hammer of War Online does not nor will it ever support any company that advocates the buying or selling of gold or in-game items with real money.

Hope that answers your questions, and thank you for reading Hammer of War Online!

I’d still personally advise the advertiser that using “gold farming” to catch an MMO gamer’s eye is something akin to using “How to be a Pedophile” to grab attention, but I’m heartened by the broader message that Hammer of War Online has a firm policy against hosting ads that advocate buying or selling gold.

Kudos to them!!

Just for the same of completeness, I’m cataloging the fact that I finally read Harry Potter and the Philosopher’s Sorcerer’s Stone. Perhaps you’ve heard of it?

I enjoyed it, as have a gazillion readers before me, but I think you’ll agree it’d be silly of me to review it. The book was very similar to the movie, at least as far as I remember the movie, so not a lot in the way of surprises, though Hermione was a real female dog at the start of the story. Yeesh!

I’ll probably read more of them at some point, as Angela tells me they get darker and ‘meatier’ as Rowling’s audience and characters grew older, and I’ve only seen one other movie, and I think is was #4 or so. So the next time I read one it’ll be a new story to me.

I’m frankly puzzled at the changes they made for the US version though. OK, replacing football with soccer makes sense to some degree, but why rename the Philosopher’s Stone to Sorcerer’s Stone? That one puzzles me to no end.

Wow, but it’s been a long time since I offered my thoughts on a book here. Playing Age of Conan prompted my to drag out my Conan books for a re-read, and that didn’t seem worth covering. When I started to read Greg Keye’s The Born Queen I realized I’d sort of lost the thread of the series, so I went back and re-read The Blood Knight.

Anyway…so The Born Queen brings the Kingdoms of Thorn and Bone tetralogy to a satisfying conclusion, but it sometimes feels like a frantic trip. As the pacing of the book increases, chapters get shorter, rotating through the various characters one chapter at time. It feels like you’re riding a whirlwind at times. Granted Keyes has a lot of story to tell, and I suspect he had too much for this 4th book to contain, but not enough to warrant a 5th book. As I told Angela this morning (I was up reading long after she’d gone to sleep; a typical event with this series), “I’d love to read the director’s edition of the book.”

Bottom line though: this was a great series. If you enjoy big rambling epics like Martin’s Song of Ice & Fire, you’ll probably have fun here. It isn’t -quite- as meaty as Martin, but it comes close. Keyes is a fantastic world builder. As the series starts the world is pretty pseudo-medieval ‘normal’ but as things go awry it becomes a more and more fantastical environment, and it all makes sense within the rules that Keyes built the world around.

His character development isn’t quite as strong, though its still good. Some of the characters tend to be too “purely good” or “purely evil” and there were a couple of shifts towards the end that were hard to understand. Again, these are nits, and characters like the charismatic Cazio or taciturn old Aspar White will stick with you long after you close the book.

Approaching the end of a series this long is always a bit frightening. Will all this time reading turn out to have been wasted if the author can’t pull all the strings together? That’s not a problem here, and Keyes even goes against what is currently accepted as good form, and offers an epilogue to ease us gently out of his world. Much appreciated, that was.

To recap, the complete series is: The Briar King, The Charnel Prince, The Blood Knight, and finally this one, The Born Queen.

A great series for fantasy fans.

So I’ve been seeing mention of this new magazine “Massive Gamer.” I’m an MMO fanboy and all that, so I figured I’d best check this out. You can too: Massive Gamer. Check it out and come back. I’ll wait.

So tell me, were you moved to subscribe? No? What’s the matter with you? Isn’t a shot of the AoC babe enough to get you to fork out $25!?

Sorry, I’m really trying to bite back my sarcasm for the sake of the writers of the magazine, but c’mon Massive Gamer, get a f-ing clue! You’ve got to give potential subscribers a taste before they’re going to buy (and a table of contents, hidden behind the Press Release link, doesn’t count).

If you think your content is so incredibly valuable (y’know, more valuable than the content of every other magazine and newspaper with a web presence, all of whom post at least some articles online) that you can’t afford to give away an article or two, at least offer the option to buy a sample issue for $5 or whatever.

And for the love of all that is holy, hire a web designer. What’s up with those rapidly scrolling images at the top of the page? Is that just to see how annoying you can be? Why isn’t there an “About” link or a “Contact Us” link on the home page. On the subscription page, how about some basic facts, like, oh, how many issues in a year’s subscription? Is it monthly? Bi-monthly? Semi-annual? How about an indication that your secure certificate is with a reputable company (it’s a GoDaddy Cert, btw) for less savvy web users who don’t know how to check a certificate.

Throw me a bone here. Convince me you’re something other than a fly-by-night company that’s going to put out 2 issues and then fold, taking my money with you.

I’m ranting because it’s just tragic. What I’m asking for costs nothing. It just requires a modicum of caring about the customer experience. When the magazine fails, the publisher will blame the economy or the fact that print is dying, and he’ll convince others that there’s no hope for a print mag dedicated to MMO gaming.

And that would be a shame, because I think such a publication could succeed, given half a chance. But the Publisher of Massive Gamer isn’t giving his fledgling magazine even a tenth of a chance.

Amazon has reduced the price of the Kindle to $359, which IMO is still $159 too high, at least.

Makes you stop and wonder though…if they were selling as briskly as Amazon implied they were, why the price drop?

I still think Amazon needs to subsidize the device. Sell it at a loss for $100 and make the money back on sales. Basically the videogame console model. All we (well, most of us) are going to do with the thing is buy more stuff from Amazon…seems like the more they get out there, the more returns they get, plus they get ‘word of mouth’ and ’saw someone using it on the train’ marketing going.

Electronic House published my review of Sony’s Qore. Check it out, I need the page views!!

Sony’s Qore Experience for the PS3

To be honest, the only reason I’m doing a review of Pere Goriot is for the sake of completeness. I generally do a blog post on ever book I read, so I figure I should do one now.

But honestly I feel completely apathetic about the book. I bought it, years ago, after seeing the move Balzac: A Life of Passion starring Gérard Depardieu. Depardieu is a pretty amazing actor and he brought the writer to life in a way that I found fascinating, so I ran out and bought one of his books. And it sat on the shelf for years.

And now I’ve read it and wow, did it not live up to that level of anticipation. The tale is a simple one, of a young man newly come to Paris to seek his fortune. He is staying in a shabby little boarding house and that is where he meets Goirot, a retired vermicelli maker who has essentially squandered his fortune trying to keep his two spoiled daughters well-regarded in polite society. The young man, naturally, falls in love with one of the daughters, and she in her turn finds him young and handsome enough to make for an admirable affair.

I enjoy reading ‘classic’ books because they give us such a fascinating window on the times when they were written, and that’s where I feel most disappointed. Pere Goirot feels very modern when being read; that is perhaps due to it being a translation? Sure, we’re seeing events in 19th Century Paris, in a chaotic time when the class system is breaking down. And Balzac references other contemporary plays and books (which the translation team has admirably footnoted) so you get a feel of what was and was not popular, but the language itself just felt too modern to me. And Balzac himself is awfully, awfully wordy. There are a few scenes that go on for pages when a few paragraphs would easily have done.

Not a favorite of mine, and I’m not sure I’ll be reading any more Balzac.

A blog post worth reading, and yeah, I tried to use his advice in that silly post title:

how do you compete for attention in the much scarier and larger world of emails, blogs, company memos, webcopy, sales copy, etc.? The answer, my friend is spin.

Gone Fishin’: How to Hook Your Readers With Textual Crack

Technorati Tags: writing

Warning, incoming rant.

I was reading an article at an online magazine today and noticed a glaring and really embarrassing typo where one of the editors had just (inadvertently) dissed his own product. So being a nice guy, I figured I’d point that out to them. Turns out contacting the editors of this “magazine” isn’t easy.

Here’s how my thought process went:

1) I’ll leave my feedback as a comment

• I have to register or sign in to comment? Annoying
• Oh, they support openid, I’ll use that!
• Wait, they post my openid as my name if I use openid? That’s insane. Skip that.

2) I’ll email the author then. Click on his name.

• OK here’s a profile, what’s his email address? Not listed. Yes, I know it’ll get you spam but you’re setting yourselves up as journalists. Being contactable is part of that process.
• OK click on Contacts
• OK here’s a contact email address. I’ll click that.
• Oops, it isn’t a link. Highlight and copy it then
• Nope, they used an image so I can’t cut and paste the email address

So finally I type out the email address and send them an email, but not to tell them about the typo. Rather, to tell them how this process was so frustrating that I’m unsubscribing from their RSS feed and won’t give them my eyeballs again.

We’re talking about a site with advertising on it, so my page views = revenue for them. If you want to put on your journalist suit and collect an income from my visits, then you damned well better treat me, the reader, as a customer. Yes, I understand spam is a huge problem. But its part of the cost of doing business if you’re going to set yourself up as a business, which the ads tell me these people are (that opinion is bolstered by the name and format of the site).

OK, end of rant. I know I shouldn’t get so worked up about such things but, well, I do. And I can’t be the only one!

This week the fantasy podcast Podcastle (from the same folks who bring you Escape Pod and PsuedoPod) launched. The first story was Peter Beagle’s Come Lady Death and it was marvelously read by Paul Jenkins of The Rev Up Review podcast.

The story was wonderful, and narration superb. A strong, STRONG launch for the newest member of the Escape Artists family of podcasts. I can’t wait to see what’s in store for next week!

Technorati Tags: escape artists, podcastle, podcasts

First a reminder. I liked Philip Pullman’s The Golden Compass well enough, and really enjoyed the next book, The Subtle Knife. I was excited to see how Pullman would finish things up in The Amber Spyglass, and now I know.

And the answer is…he doesn’t. Not really. Imagine The Lord of the Rings being written such that when Sam and Frodo finally get into Mordor, they find a “Crack of Doom Disposal Service” and hand The Ring over to it, and the rest of the book is about their friendship and no further word is ever heard of Sauron. Our last view of Minis Tirith is of the two armies coming together for a final clash, and never again do we visit that scene.

That’s how The Amber Spyglass works. I’m going to include some spoilers in this review, which I don’t normally do, but I can only hope that no one makes the mistake of getting involved with this series anyway. You’ve been warned, and ultimately there is nothing to spoil because the series has no real ending.

As the book begins we have Lyra and Will still traveling together. Remember that Lyra has been tagged as the next Eve, and there’s some huge prophesy about her that she’ll influence the next age of life on the myriad worlds. The church is determined to kill her so that she can never make some grand decision that she must make. Mary, from Will’s world, has been set up as the Serpent who will tempt Lyra/Eve from some new paradise. And oh yes, Asriel is making war on god/The Authority and means to kill him/it.

The first half of the book slowly builds to a huge climax, as you’d expect it to. This part felt slow but that was ok since we’re working towards the big payoff. And then in the midst of a climactic battle god dies, his first Lt. (who has really been running the show) is cast down. And suddenly the focus shifts to Lyra and Will and their discovering their hormones as they suddenly fall in love.

And that’s the rest of the book. Lyra & Will in discovering first love in some strangely vapid Disney-esque way. The church’s assassin makes a brief appearance but is taken out via a deux ex machina re-appearance of the angel Balthamos (spelling?). Neither Lyra nor Will are ever aware of these events. The two of them are with Mary, but all she really does is give them some food. She certainly doesn’t tempt them into doing anything. And in the end, well, nothing. The book ends with the two children going home, and that’s about that. The prophesy? Who knows? False, I guess. Unless it alluded to letting the ghosts out of the land of the dead, but really Will did that. And in the end, the angels repair the universe after Will gives them a quick “How-To” on window closing.

It was the most amazing let-down that I can remember ever reading; so much so that I found myself actually angry with the author. I mean, how do you manage to turn the death of god into a non-event? Or maybe that was his point, as an atheist…his way of illustrating that god doesn’t matter?

Maybe he wanted it to be a four book series and in condensing it he cut out a lot of the other happenings? I just don’t know. What I do know is that it was a terrible “ending” and I can’t stress enough that it makes the trilogy not worth reading. Which is a shame, because I was pretty excited at the end of The Subtle Knife.

A huge let down. Give this trilogy a pass.

LifeHacker had a post about a new service called BookLamp. The 2 second pitch is that its Pandora for Books. The idea is they scan in books and parse them for various stylistic attributes. Then you tell them a book that you like, and they offer a list of books that are stylistically similar. I’m *fascinated* by this idea!

But rather than me drone on about it, why not watch this presentation by one of the guys behind the project. Get comfortable because its close to 15 minutes long, but quite interesting for book geeks.

I’m really hoping that this service becomes a reality!

When I wrote my review of Philip Pullman’s The Golden Compass I admitted being puzzled at all the fuss being made about its “anti-Christianity” message. Well now that I’ve finished The Subtle Knife it all makes a lot of sense. In this, the second book of the “His Dark Materials” trilogy, Pullman’s atheistic leanings become much more pronounced.

This didn’t bother me personally, but I can understand how it could be offensive to some. And frankly, without going on a huge tangent, its easy to point to all the quantifiable evil that has been done in the name of the church (the Spanish Inquisition springs immediately to mind), but its much harder to measure the good that comes out of peoples’ religion. How much evil has been averted due to a moral compass guided by faith? Well anyway, I’m about the last person in the world who should be taking on these questions, so let’s get back to the book.

Lyra Silvertongue is back in this volume, but she ‘co-stars’ with a boy name Will who is from our world, or at least a world that seems identical to ours. He is on a quest to find his missing father, and in the course of events he finds a window into another world. Not Lyra’s world, but a third world that felt like something out of a Star Trek episode mixed with a bit of Lord of the Flies. No adults, children bordering on going feral, and an unseen evil.

In fact there is some fairly intense violence in this book, and in general once again the concepts being discussed (elementary particles, dark matter) are going to go over the heads of most younger kids, so this is definitely for teenagers and older. Also once again, there’s nothing here to make it less interesting to adults; don’t let the YA tag make you think it’s just for kids.

No talking polar bears in this one, and in general things seem a lot less fantasy-ish. Will is a fairly normal kid, and the creepy kids-only world seems fairly ‘ordinary’ too, aside from those facets I already mentioned. Plus we transition back to “our” world a few times.

But I found this volume more compelling. Perhaps because I could relate to Will more, or perhaps because the “Big Picture” of what the trilogy is building towards became much more clear. And we do get a few more of my favorite Book 1 characters popping in.

The ending is, if anything, even more of a cliff-hanger than the ending to The Golden Compass. Make sure you have book 3 at hand as you wind down to the end of this one!

Donald A Petrie’s The Prize Game turned out to be a very interesting little book. I’m not linking it here because its out-of-print and I imagine it’d be awfully hard to find, but the ISBN is 1557506698 and it was published by US Naval Institute Press in 1999. Petrie, at least at the time of writing, lived in Wainscott, NY and that’s probably why I was able to find it at Bookhampton in East Hampton some number of years ago. Local author and all that.

Turns out the whole concept of taking prizes in the Age of Sail was a way of warfare that had rules that were followed among many different countries. How different from today’s world, eh? The book talks about these rules and illustrates them by following the adventures of a few successful privateers. The book is heavily footnoted and if you flip to the back and read you’ll find Petrie got a lot of his information from actual ship’s logs from times, as well as from court documents and newspapers. Turns out that prize-taking was followed by the papers almost like a sport would be today.

If you can find it, well worth a read. I’ll be taking good care of my copy for future reference.

On a personal note, it felt good to read some non-technical non-fiction for a change of pace. I’ll have to make a point of doing more of that.

Last night I finished The Golden Compass, Book 1 of Philip Pullman’s YA fantasy trilogy, “His Dark Materials.” I have to admit this one never would’ve made it onto my radar if not for the movie version (which I have not seen) getting promoted all over the TV.

There was much to-do made about the book’s anti-Christianity message, and Pullman, as I understand it, is an atheist and did indeed set out to write a “children’s book” that set itself directly opposite the pro-Christian symbolism in C.S. Lewis’ Narnia books. As someone not very much concerned with organized religion, I wouldn’t have given this aspect of the book a second thought had I not heard all the fuss about it. At the same time, I can’t in good faith (pun not intended) address the possibility of the book being offensive or troubling to someone with strong Christian beliefs.

I can describe the setting though. The Golden Compass takes place in a world parallel to ours. Land masses are the same, and many countries are familiar. Technology has advanced in a more steampunk sort of way, though scientists understand (mostly) the same elementary particles that scientists in our world do. At the same time it seems airplanes were never invented, and zeppelins still rule the skies. They don’t have electricity but they have “anbaric” energy (which seems to be electricity) and “naptha” (gas?) lamps.

The big difference is that every person has a “daemon” that takes the form of an animal and is intimately connected to the person. Essentially, these daemons are the souls of the humans in this other-world. These daemons remain in close proximity to their humans, and it is a huge taboo to touch another person’s daemon. It is unclear to me if this is what people of strongly Christian faith are bothered by — the idea of a soul external to the body — or if it was the fact that Pullman re-wrote brief passages from the Book of Genesis (adding daemons to the mix).

In any case, let’s talk about the story. Our protagonist is Lyra, a 12 year old girl who has been “adopted” by Jordan College at Oxford. Although she is of noble birth, she spends most of her time playing with the children of the servants of Jordan College, so when ‘commoner’ children start disappearing, including one of her friends, Lyra decides that she must do something to rescue them. Thus starts a whirlwind adventure taking her to “The North” where talking, armored polar bears rule (as far as we see, these polar bears are the only sentient animals in this world). Along the way Lyra starts to show certain abilities that may or may not be ‘magic’. She also learns much about the parents that she never knew.

It was an entertaining tale. As a YA book, I have to think it skews old. There are some fairly advanced concepts thrown around and the vocabulary is an adult one. For the most part it is “YA” only in the fact that the protagonist is a child, and that there is really just the one plot and one set of characters to worry about. There is violence, but no sex aside from one scene where we get a short voyeuristic glimpse at what happens between daemons when people become passionate.

Lyra is well portrayed; her ‘accent’ went a long way towards making her real in my imagination. The other characters don’t ‘pop’ so much, with the exception of her polar bear companion later in the book. Also about two-thirds of the way through, Lyra changed in a way that I found it hard to put my finger on. She started using “dear” a lot as a term of endearment, which felt odd. I suspect Pullman had put the novel aside for some length of time when he was writing it, and Lyra changed while he was gone. It’s a nit, but it has stayed with me and bothered me since I came to that change.

Take to heart that this is Book I in the trilogy, because it really doesn’t wrap up very well. It just kind of ends at a logical breaking point, but with many, many questions unanswered. At this point I’m not sure if I’d give the trilogy a thumbs up or not. If I had to rate The Golden Compass, I’d give it 3.5 stars out of 5. Good, not great.